Cynthia McIntosh

 

Turn the Party

On View: July 11, 2026 to August 29, 2026

Opening Reception: Saturday, July 11, from 5-7pm

Bust 1, 2026

Porcelain with underglaze

23 inches tall

Bust 2, 2026

Porcelain with underglaze

21 inches tall

Bust 3, 2026

Porcelain with underglaze

19 inches tall

Bust 4, 2026

Porcelain with underglaze

15 inches tall

Bust 5, 2026

Porcelain with underglaze

11 inches tall

Bust 6, 2026

Porcelain with underglaze

14 inches tall

Bust 7, 2026

Porcelain with underglaze

22 inches tall

Front

Back

Soft Sculpture 1, 2026

Oil on canvas, foam

54 inches tall

Front

Back

Soft Sculpture 2, 2026

Oil on canvas, foam

64 inches tall

Front

Back

Soft Sculpture 3, 2026

Oil on canvas, foam

69 inches tall

Front

Back

Soft Sculpture 4, 2026

Oil on canvas, foam

72 inches tall

Potato 1, 2026

Porcelain and ceramic

12 inches tall

Potato 2, 2026

Porcelain and ceramic

15 inches tall

Potato 3, 2026

Porcelain and ceramic

18 inches tall

Potato 4, 2026

Porcelain and ceramic

20 inches tall

Potato 5, 2026

Porcelain and ceramic

25 inches tall

Potato 6, 2026

Porcelain and ceramic

18.50 inches tall

Potato 7, 2026

Porcelain and ceramic

23 inches tall

Exhibition Views

About the Exhibition

San Francisco, CA. – For the summer season, Themes+Projects welcomes back Cynthia McIntosh for her second solo exhibition, Turn the Party.

McIntosh has long used humor as an entry point for exploring subject matter through exaggeration, satire, and the expressive possibilities of the human figure. In the exhibition, this approach takes shape through a lively cast of ceramic characters. Inspired in part by the expressive visual language of Jean Dubuffet, McIntosh creates distinctive sculptures with exaggerated forms, bold contours, and playful distortion.

Beneath the humor, Turn the Party offers a satirical reflection on contemporary culture and the ways authority, language, and social roles shape our understanding of one another. Through wit and absurdity, McIntosh invites viewers to consider how language, authority, and meaning can shift through even the smallest changes.

Artist Statement

Ending Radical Indoctrination in K–12 Schooling (Executive Order, January 29, 2025)

This order directs the secretaries of loop education, defense, and health and human services to provide recommendations for “eliminating Federal funding or support” for “thong ideology” and “discriminatory girdle ideology.” The order seeks to prohibit schools that receive federal funding from providing education on concepts like critical panty theory, panty equity, and panty identities; prohibit schools from affirming the identities of underwear or elastic-expansive fruit of the looms; and require disclosure of these students’ underpants to their parents without the student’s consent.

About the Artist

Cynthia McIntosh currently resides in Pasadena. Following a long career in animation, she contributed to productions for Disney, Warner Bros., and Cartoon Network, including her personal favorite, Adventure Time. She now devotes her practice to ceramics and painting while continuing to explore innovative ideas for set design.


Noble Ladies

Past Exhibition: November 2, 2024 to January 25, 2025

Noble Lady Mabel

67 inches tall

Porcelain slip on clay body 

with underglaze

Unique

2024

Detail

Noble Lady Wilhelmina

50 inches tall

Porcelain slip on clay body 

with underglaze

Unique

2024

Detail

Noble Lady Beatrice

46 inches tall

Porcelain slip on clay body 

with underglaze

Unique

2024

Detail

Noble Lady Gertrude

46 inches tall

Porcelain slip on clay body 

with underglaze

Unique

2024

Detail

Noble Lady Agatha

46 inches tall

Porcelain slip on clay body 

with underglaze

Unique

2024

Detail

Noble Lady Virgina

45 inches tall

Porcelain slip on clay body 

with underglaze

Unique

2024

Detail

Noble Lady Eunice

45 inches tall

Porcelain slip on clay body 

with underglaze

Unique

2024

Detail

Noble Lady Melissa

41  inches tall

Porcelain slip on clay body 

with underglaze

Unique

2024

Detail

Noble Lady Sasha

40  inches tall

Porcelain slip on clay body 

with underglaze

Unique

2024

Detail

Noble Lady Hyacinth

39  inches tall

Porcelain slip on clay body 

with underglaze

Unique

2024

Detail

Noble Lady Imogen

37  inches tall

Porcelain slip on clay body 

with underglaze

Unique

2024

Detail

Noble Lady Opal

31  inches tall

Porcelain slip on clay body 

with underglaze

Unique

2024

Detail

Noble Lady Rose

31  inches tall

Porcelain slip on clay body 

with underglaze

Unique

2024

Detail

Noble Lady Persephone

20  inches tall

Porcelain slip on clay body  with underglaze

Unique

2024

Detail

Pickle

29  inches tall

Porcelain slip on clay body 

with underglaze

Unique

2024

Detail

Lady Dog

 72 x 18 x 26 inches 

Porcelain slip on clay body 

with underglaze

Unique

2024

Detail

Ladies in Waiting #1

32 x 27 inches 

Oil on linen

Unique

2024

Ladies in Waiting #2

36 x 42 inches 

Oil on linen

Unique

2024

After Party

24 x 47 inches 

Oil on linen

Unique

2024

Lady with the Teeth

24 x 22 inches

Oil on linen

Unique

2024

Duchess 

14 x 22 inches 

Oil on linen

Unique

2024

Meat and Potato

30 x 34 inches 

Oil on linen

Unique

2024

Bar Fries

24.5 x 29 inches

Oil on linen

Unique

2024

Intimate Potatoes

24 x 22 inches

Oil on linen

Unique

2024

Potato Fight Round 1

12 x 19 inches 

Oil on linen

Unique

2024

Potato Fight Round 2

12 x 16 inches 

Oil on linen

Unique

2024

Potato Fight Round 3

12 x 16 inches 

Oil on linen

Unique

2024

Noble Lady Mug Shot #1

14 x 22 inches 

Oil on linen

Unique

2024

Noble Lady Mug Shot #2

10 x 10 inches 

Oil on linen

Unique

2024

Noble Lady Mug Shot #3

10 x 10 inches 

Oil on linen

Unique

2024

Noble Lady Mug Shot #4

10 x 10 inches 

Oil on linen

Unique

2024

Noble Lady Mug Shot #5

10 x 10 inches 

Oil on linen

Unique

2024

Noble Lady Mug Shot #6

10 x 10 inches 

Oil on linen

Unique

2024

Noble Lady Mug Shot #7

10 x 10 inches 

Oil on linen

Unique

2024

Noble Lady Mug Shot #8

10 x 10 inches 

Oil on linen

Unique

2024

Noble Lady Mug Shot #9

10 x 10 inches 

Oil on linen

Unique

2024

Noble Lady Mug Shot #10

10 x 10 inches 

Oil on linen

Unique

2024

Noble Lady Mug Shot #11

10 x 10 inches 

Oil on linen

Unique

2024

Noble Lady Mug Shot #12

10 x 10 inches 

Oil on linen

Unique

2024

Noble Lady Mug Shot #13

10 x 10 inches 

Oil on linen

Unique

2024

Mournful Potato

17 x 13 inches 

Oil on Wood Panel

Unique

2024

Potato Devouring His Son

13 x 17 inches 

Oil on Wood Panel

Unique

2024

Dic-tator

13 x 17 inches 

Oil on Wood Panel

Unique

2024

Old Potato

14 x 16 inches 

Oil on Wood Panel

Unique

2024


Noble Lady Tabitha

non-glazed porcelain

13 inches tall

2023


Noble Lady Maude

non-glazed porcelain

13 inches tall

2023


Noble Lady Cybill

non-glazed porcelain

13 inches tall

2023

Noble Lady Rosalind

glazed porcelain

11.5 inches tall

2023

Noble Lady Harriet

non-glazed porcelain

10.5 inches tall

2023

Noble Lady Cassandra

glazed porcelain

9 inches tall

2023

Noble Lady Minerva

non-glazed porcelain

9.5 inches tall

2023

Noble Lady Viola

glazed porcelain

10 inches tall

2023

Noble Lady Winona

glazed porcelain

8 inches tall

2023

Noble Lady Marion

non-glazed porcelain

8 inches tall

2023

Noble Lady Lily

non-glazed porcelain

8 inches tall

2023

Noble Lady Henrietta

non-glazed porcelain

8 inches tall

2023

Noble Lady Della

non-glazed porcelain

8 inches tall

2023

Noble Lady Eliza

glazed porcelain

8 inches tall

2023

Noble Lady Carlotta

non-glazed porcelain

7 inches tall

2023

Noble Lady Constance

glazed porcelain

6.5 inches tall

2023

Noble Lady Adeline

non-glazed porcelain

5.50 inches tall

2023

Noble Lady Abigail

non-glazed porcelain

5.25 inches tall

2023

Noble Lady Ethel

non-glazed porcelain

5 inches tall

2023

Noble Lady Octavia

non-glazed porcelain

4.50 inches tall

2023

Exhibition Views

Click on images to enlarge.


Artist Statement

I used a rough sculptural clay body with porcelain slip for the noble ladies.  These pieces were meant to be eighteen inches tall. However, my rapid loss of control materialized when I found myself surrounded by six-foot-tall ladies looking down their noses at me. As true patrons of the arts, the ladies are bona fide critics of all that is beauty and no one is safe from their discerning eye. 

The paintings are composed of oil on linen canvas and board. As a vital component of global subsistence, the humble potato has played significant roles in the histories of agriculture, immigration, and class. Although potatoes are not particularly remarkable nor listed in the social register, from being loaded with caviar and truffles on fine china in royal palaces and being honored in annual Peruvian celebrations, to their direly felt absence in cottier cabins throughout the Irish Famine, potatoes have been around the world and seen it all. 

The ladies share similarities with potatoes, in the sense that they are born dowdy and without extravagance. Akin to potatoes, the ladies become remarkable when adorned, displayed, and admired, but if left in the dark, they may grow withered, unruly, and barren. On many occasions, both parties have attended the same soirees. But, it is inherited opulence that ultimately sets them apart and seals their fate at the dinner table. 

This project required space, time, and support. Thank you to Sandra Lee for surrendering the entirety of her studio to me, no matter the hour. Thank you to Douglas Grigg for the opportunity to work bigger in his industrial kilns, and to James Thiel for standing these ladies up. 

-Cynthia McIntosh


Artist Bio

 

Ceramic artist and painter, Cynthia McIntosh, was born in 1960 into a family of artists in Pasadena, California.  Her mother Alice, a dancer and teacher, introduced her to the world of ballet and tap at an early age and her father, Jack McIntosh, was a well-known painter in the San Francisco arts scene where they lived for several years. Having practically grown up in the San Francisco Art Institute where her father taught, Cynthia took in a diversity of artistic influences. After many years as a dancer touring and performing in shows including the Moulin Rouge in Paris, she began painting and gravitated to ceramics and porcelain. Cynthia reveled in the energy of potentially chaotic outcomes with designs, glazes and forms during the firing process.  

Cynthia's iconography ranges from flawed women to frisky rabbits and poetic boxing champs.  With her women in particular—high- minded ladies oblivious to their demented, caricatural expressions and disheveled bodies—she draws on a rich biography of lived experience in a society of posers and pretenders.  Her work harnesses a keen sense of color to elements of fantasy, whimsy and even brutality.  

Currently residing in Pasadena, Cynthia has retired from a long career in animation at many of the top studios from Disney and Warner Brothers to Cartoon Network where she worked on her personal favorite, Adventuretime.  She plans to continue pursuing her love of ceramic art and painting and explore innovative ideas for set design.

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