Cynthia McIntosh
Turn the Party
On View: July 11, 2026 to August 29, 2026
Opening Reception: Saturday, July 11, from 5-7pm
Bust 1, 2026
Porcelain with underglaze
23 inches tall
Bust 2, 2026
Porcelain with underglaze
21 inches tall
Bust 3, 2026
Porcelain with underglaze
19 inches tall
Bust 4, 2026
Porcelain with underglaze
15 inches tall
Bust 5, 2026
Porcelain with underglaze
11 inches tall
Bust 6, 2026
Porcelain with underglaze
14 inches tall
Bust 7, 2026
Porcelain with underglaze
22 inches tall
Front
Back
Soft Sculpture 1, 2026
Oil on canvas, foam
54 inches tall
Front
Back
Soft Sculpture 2, 2026
Oil on canvas, foam
64 inches tall
Front
Back
Soft Sculpture 3, 2026
Oil on canvas, foam
69 inches tall
Front
Back
Soft Sculpture 4, 2026
Oil on canvas, foam
72 inches tall
Potato 1, 2026
Porcelain and ceramic
12 inches tall
Potato 2, 2026
Porcelain and ceramic
15 inches tall
Potato 3, 2026
Porcelain and ceramic
18 inches tall
Potato 4, 2026
Porcelain and ceramic
20 inches tall
Potato 5, 2026
Porcelain and ceramic
25 inches tall
Potato 6, 2026
Porcelain and ceramic
18.50 inches tall
Potato 7, 2026
Porcelain and ceramic
23 inches tall
Exhibition Views
About the Exhibition
San Francisco, CA. – For the summer season, Themes+Projects welcomes back Cynthia McIntosh for her second solo exhibition, Turn the Party.
McIntosh has long used humor as an entry point for exploring subject matter through exaggeration, satire, and the expressive possibilities of the human figure. In the exhibition, this approach takes shape through a lively cast of ceramic characters. Inspired in part by the expressive visual language of Jean Dubuffet, McIntosh creates distinctive sculptures with exaggerated forms, bold contours, and playful distortion.
Beneath the humor, Turn the Party offers a satirical reflection on contemporary culture and the ways authority, language, and social roles shape our understanding of one another. Through wit and absurdity, McIntosh invites viewers to consider how language, authority, and meaning can shift through even the smallest changes.
Artist Statement
Ending Radical Indoctrination in K–12 Schooling (Executive Order, January 29, 2025)
This order directs the secretaries of loop education, defense, and health and human services to provide recommendations for “eliminating Federal funding or support” for “thong ideology” and “discriminatory girdle ideology.” The order seeks to prohibit schools that receive federal funding from providing education on concepts like critical panty theory, panty equity, and panty identities; prohibit schools from affirming the identities of underwear or elastic-expansive fruit of the looms; and require disclosure of these students’ underpants to their parents without the student’s consent.
About the Artist
Cynthia McIntosh currently resides in Pasadena. Following a long career in animation, she contributed to productions for Disney, Warner Bros., and Cartoon Network, including her personal favorite, Adventure Time. She now devotes her practice to ceramics and painting while continuing to explore innovative ideas for set design.
Noble Ladies
Past Exhibition: November 2, 2024 to January 25, 2025
Noble Lady Mabel
67 inches tall
Porcelain slip on clay body
with underglaze
Unique
2024
Detail
Noble Lady Wilhelmina
50 inches tall
Porcelain slip on clay body
with underglaze
Unique
2024
Detail
Noble Lady Beatrice
46 inches tall
Porcelain slip on clay body
with underglaze
Unique
2024
Detail
Noble Lady Gertrude
46 inches tall
Porcelain slip on clay body
with underglaze
Unique
2024
Detail
Noble Lady Agatha
46 inches tall
Porcelain slip on clay body
with underglaze
Unique
2024
Detail
Noble Lady Virgina
45 inches tall
Porcelain slip on clay body
with underglaze
Unique
2024
Detail
Noble Lady Eunice
45 inches tall
Porcelain slip on clay body
with underglaze
Unique
2024
Detail
Noble Lady Melissa
41 inches tall
Porcelain slip on clay body
with underglaze
Unique
2024
Detail
Noble Lady Sasha
40 inches tall
Porcelain slip on clay body
with underglaze
Unique
2024
Detail
Noble Lady Hyacinth
39 inches tall
Porcelain slip on clay body
with underglaze
Unique
2024
Detail
Noble Lady Imogen
37 inches tall
Porcelain slip on clay body
with underglaze
Unique
2024
Detail
Noble Lady Opal
31 inches tall
Porcelain slip on clay body
with underglaze
Unique
2024
Detail
Noble Lady Rose
31 inches tall
Porcelain slip on clay body
with underglaze
Unique
2024
Detail
Noble Lady Persephone
20 inches tall
Porcelain slip on clay body with underglaze
Unique
2024
Detail
Pickle
29 inches tall
Porcelain slip on clay body
with underglaze
Unique
2024
Detail
Lady Dog
72 x 18 x 26 inches
Porcelain slip on clay body
with underglaze
Unique
2024
Detail
Ladies in Waiting #1
32 x 27 inches
Oil on linen
Unique
2024
Ladies in Waiting #2
36 x 42 inches
Oil on linen
Unique
2024
After Party
24 x 47 inches
Oil on linen
Unique
2024
Lady with the Teeth
24 x 22 inches
Oil on linen
Unique
2024
Duchess
14 x 22 inches
Oil on linen
Unique
2024
Meat and Potato
30 x 34 inches
Oil on linen
Unique
2024
Bar Fries
24.5 x 29 inches
Oil on linen
Unique
2024
Intimate Potatoes
24 x 22 inches
Oil on linen
Unique
2024
Potato Fight Round 1
12 x 19 inches
Oil on linen
Unique
2024
Potato Fight Round 2
12 x 16 inches
Oil on linen
Unique
2024
Potato Fight Round 3
12 x 16 inches
Oil on linen
Unique
2024
Noble Lady Mug Shot #1
14 x 22 inches
Oil on linen
Unique
2024
Noble Lady Mug Shot #2
10 x 10 inches
Oil on linen
Unique
2024
Noble Lady Mug Shot #3
10 x 10 inches
Oil on linen
Unique
2024
Noble Lady Mug Shot #4
10 x 10 inches
Oil on linen
Unique
2024
Noble Lady Mug Shot #5
10 x 10 inches
Oil on linen
Unique
2024
Noble Lady Mug Shot #6
10 x 10 inches
Oil on linen
Unique
2024
Noble Lady Mug Shot #7
10 x 10 inches
Oil on linen
Unique
2024
Noble Lady Mug Shot #8
10 x 10 inches
Oil on linen
Unique
2024
Noble Lady Mug Shot #9
10 x 10 inches
Oil on linen
Unique
2024
Noble Lady Mug Shot #10
10 x 10 inches
Oil on linen
Unique
2024
Noble Lady Mug Shot #11
10 x 10 inches
Oil on linen
Unique
2024
Noble Lady Mug Shot #12
10 x 10 inches
Oil on linen
Unique
2024
Noble Lady Mug Shot #13
10 x 10 inches
Oil on linen
Unique
2024
Mournful Potato
17 x 13 inches
Oil on Wood Panel
Unique
2024
Potato Devouring His Son
13 x 17 inches
Oil on Wood Panel
Unique
2024
Dic-tator
13 x 17 inches
Oil on Wood Panel
Unique
2024
Old Potato
14 x 16 inches
Oil on Wood Panel
Unique
2024
Noble Lady Tabitha
non-glazed porcelain
13 inches tall
2023
Noble Lady Maude
non-glazed porcelain
13 inches tall
2023
Noble Lady Cybill
non-glazed porcelain
13 inches tall
2023
Noble Lady Rosalind
glazed porcelain
11.5 inches tall
2023
Noble Lady Harriet
non-glazed porcelain
10.5 inches tall
2023
Noble Lady Cassandra
glazed porcelain
9 inches tall
2023
Noble Lady Minerva
non-glazed porcelain
9.5 inches tall
2023
Noble Lady Viola
glazed porcelain
10 inches tall
2023
Noble Lady Winona
glazed porcelain
8 inches tall
2023
Noble Lady Marion
non-glazed porcelain
8 inches tall
2023
Noble Lady Lily
non-glazed porcelain
8 inches tall
2023
Noble Lady Henrietta
non-glazed porcelain
8 inches tall
2023
Noble Lady Della
non-glazed porcelain
8 inches tall
2023
Noble Lady Eliza
glazed porcelain
8 inches tall
2023
Noble Lady Carlotta
non-glazed porcelain
7 inches tall
2023
Noble Lady Constance
glazed porcelain
6.5 inches tall
2023
Noble Lady Adeline
non-glazed porcelain
5.50 inches tall
2023
Noble Lady Abigail
non-glazed porcelain
5.25 inches tall
2023
Noble Lady Ethel
non-glazed porcelain
5 inches tall
2023
Noble Lady Octavia
non-glazed porcelain
4.50 inches tall
2023
Exhibition Views
Click on images to enlarge.
Artist Statement
I used a rough sculptural clay body with porcelain slip for the noble ladies. These pieces were meant to be eighteen inches tall. However, my rapid loss of control materialized when I found myself surrounded by six-foot-tall ladies looking down their noses at me. As true patrons of the arts, the ladies are bona fide critics of all that is beauty and no one is safe from their discerning eye.
The paintings are composed of oil on linen canvas and board. As a vital component of global subsistence, the humble potato has played significant roles in the histories of agriculture, immigration, and class. Although potatoes are not particularly remarkable nor listed in the social register, from being loaded with caviar and truffles on fine china in royal palaces and being honored in annual Peruvian celebrations, to their direly felt absence in cottier cabins throughout the Irish Famine, potatoes have been around the world and seen it all.
The ladies share similarities with potatoes, in the sense that they are born dowdy and without extravagance. Akin to potatoes, the ladies become remarkable when adorned, displayed, and admired, but if left in the dark, they may grow withered, unruly, and barren. On many occasions, both parties have attended the same soirees. But, it is inherited opulence that ultimately sets them apart and seals their fate at the dinner table.
This project required space, time, and support. Thank you to Sandra Lee for surrendering the entirety of her studio to me, no matter the hour. Thank you to Douglas Grigg for the opportunity to work bigger in his industrial kilns, and to James Thiel for standing these ladies up.
-Cynthia McIntosh
Artist Bio
Ceramic artist and painter, Cynthia McIntosh, was born in 1960 into a family of artists in Pasadena, California. Her mother Alice, a dancer and teacher, introduced her to the world of ballet and tap at an early age and her father, Jack McIntosh, was a well-known painter in the San Francisco arts scene where they lived for several years. Having practically grown up in the San Francisco Art Institute where her father taught, Cynthia took in a diversity of artistic influences. After many years as a dancer touring and performing in shows including the Moulin Rouge in Paris, she began painting and gravitated to ceramics and porcelain. Cynthia reveled in the energy of potentially chaotic outcomes with designs, glazes and forms during the firing process.
Cynthia's iconography ranges from flawed women to frisky rabbits and poetic boxing champs. With her women in particular—high- minded ladies oblivious to their demented, caricatural expressions and disheveled bodies—she draws on a rich biography of lived experience in a society of posers and pretenders. Her work harnesses a keen sense of color to elements of fantasy, whimsy and even brutality.
Currently residing in Pasadena, Cynthia has retired from a long career in animation at many of the top studios from Disney and Warner Brothers to Cartoon Network where she worked on her personal favorite, Adventuretime. She plans to continue pursuing her love of ceramic art and painting and explore innovative ideas for set design.